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But film creates one of the most imaginatively rendered, impressively sustained artificial worlds seen on film in some time, and the action is riveting. Banter and nasty repartee could also have been sharpened up and made more humorous.
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Pic’s main problem is an exceedingly straight, A-B-C-D narrative line with no subplots, twists or turns, which even Proyas’ protean direction can’t keep comfortably aloft the entire time. A rock musician by trade, Eric is led, one by one, to his vile assailants by a large crow that flaps above the desolate streets like a mythic bearer of dread tidings. That’s all the explanation needed for the rebirth, a year later, of Eric Draven (Lee), who, as is shown in brilliant, violent flashes of montage, was murdered by a bunch of drooling hooligans who then raped and mortally injured his bride-to-be. The Crow, as a girl’s narration informs, transports souls to the land of the dead, but if a crime was so heinous that the soul can’t rest, the Crow can bring it back. Tour de force opening brings the viewer in for a slow landing over a bleak urban landscape blighted by fires on Devil’s Night, Halloween Eve.
#The crow 1 2 3 4 movie
Noted Aussie commercial and musicvideo helmer Alex Proyas drenches his debut Yank feature in a claustrophobic, rain-soaked atmosphere that owes more than a little to “Blade Runner.” But the movie still generates a distinctive personality due to its aggressive narrative vigor, agreeable mixture of sweetness and nastiness, and technical mastery. Tale is more pungent than poignant, however, in that it’s set in a generic inner city so hellish it makes Gotham City look like the Emerald City. Based on James O’Barr’s bold comic strip, which has generated a considerable following since he started drawing it in the early 1980s, “The Crow” centers on a dark angel who literally rises from the dead to settle matters with the gang of thugs who killed him and his fiancee on the eve of their wedding. As far as Miramax/Dimension is concerned, it’s too bad the film isn’t moving into the marketplace right now, rather than on May 11, since there’s absolutely nothing out there that could compete with it. Despite a simplistic script that unfortunately brandishes its cartoon origins rather too obviously, the combo of edgy excitement, stunning design, hot soundtrack and curiosity about Lee will rep an irresistible lure for young audiences in large numbers, giving this very strong commercial wings. For a while rumored to be impossible to complete due to the tragic accidental death of star Brandon Lee eight days before lensing was due to wrap, pic that finally emerges is a seamless, pulsating, dazzlingly visual revenge fantasy that stands as one of the most effective live-actioners ever derived from a comic strip. For a while rumored to be impossible to complete due to the tragic accidental death of star Brandon Lee eight days before lensing was due to wrap, pic that finally emerges is a seamless, pulsating, dazzlingly visual revenge fantasy that stands as one of the most “The Crow” flies high.